We ship most any order placed before 3pm CDT Tuesday through Friday the same day. We accept all major credit cards (orders must ship to the billing address of the cardholder or authorized ship-to address for their account), PayPal (shipped to a PayPal confirmed delivery address), Financing through Blispay, Wire Transfer in advance in US Funds, or COD (Cashier's Check only). The middle position is the 100-watt position for tons of volume and open crunch while being less focused.

The down position is the 50-watt setting for a good balance of compression and openness. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The three-way toggle gives you the feel of different wattage amplifiers. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes.

No changes were made whatsoever and the controls remain the same. You can safely run вЂњThe ATвЂњ at 18 or 9 volts.Yes! The drive channel of the AT+ is identical to that of the original AT pedal. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2'x4.8'x1.6'. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. New to the AT+ is an independent foot-switchable Boost.essentially creating a second channel and gain stage for the pedal.

Yes! The drive channel of the AT+ is identical to JHS's original AT pedal. So pay ATtention and weвЂ™ll see what makes the AT rock.Дoes the AT+ sound the same as the original AT? This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. Through going back and forth and tailoring it to AndyвЂ™s tastes, the was born and eventually released into production in 2016. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. In 2016 JHS brought you the AT, Andy Timmons artist signature pedal and they're really proud to bring you the next iteration of this phenomenal stomp box, The AT+.

Jhs andy timmons pedal